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Leader |
LDR
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cam8a 00 |
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Control # |
1
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ocn858353421 |
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Control # Id |
3
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OCoLC |
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Date |
5
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20150325100711.0 |
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Fixed Data |
8
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131112s2014 nyua b 001 0 eng |
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LC Card |
10
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$a 2013045231 |
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Cat. Source |
40
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$aDLC$beng$cDLC$dBTCTA$dBDX$dUKMGB$dCDX$dYDXCP$dEYM$dNLGGC$dIUL$dSTF$dCOA$dOCLCF$dOMB$dYNK$dAU@$dOCLCO$dZVP |
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National Bib |
15
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$aGBB438969$2bnb |
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Tag 16 |
16
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7 |
$a016683953$2Uk |
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Tag 19 |
19
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$a882866765$a883021222$a883420042 |
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ISBN |
20
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$a9781472525246 (hardback) |
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ISBN |
20
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$a1472525248 (hardback) |
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ISBN |
20
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$a9781472527660 (paperback) |
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ISBN |
20
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$a1472527666 (paperback) |
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ISBN |
20
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$z9781472567925 (epdf) |
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ISBN |
20
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$z1472567927 |
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ISBN |
20
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$z9781472567932 |
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ISBN |
20
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$z1472567935 |
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Tag 29 |
29
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1 |
$aDEBSZ$b408745029 |
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Tag 29 |
29
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1 |
$aNLGGC$b377276766 |
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Tag 29 |
29
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1 |
$aNZ1$b15519884 |
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Tag 29 |
29
|
1 |
$aAU@$b000052251842 |
|
Tag 29 |
29
|
1 |
$aUNITY$b134180984 |
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Local Ctrl # |
35
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$a(OCoLC)858353421$z(OCoLC)882866765$z(OCoLC)883021222$z(OCoLC)883420042 |
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Obsolete |
39
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$a13537$cTLC |
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Authen. Ctr. |
42
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$apcc |
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LC Call |
50
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00 |
$aNK4701.8$b.F37 2014 |
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Local Call # |
90
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$aNK4701.8$b.F37 2014 |
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Dewey Class |
82
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00 |
$a746.9/2075$223 |
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Other Call # |
84
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$aDES005000$aART059000$aDES013000$2bisacsh |
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Other Call # |
84
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$a20.12$2bcl |
|
Other Call # |
84
|
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$a21.85$2bcl |
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Tag 49 |
49
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$aC7GA |
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Title |
245
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00 |
$aFashion and museums :$btheory and practice /$cedited by Marie Riegels Melchior and Birgitta Svensson. |
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Projectd Pub |
263
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$a1407 |
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Tag 264 |
264
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1 |
$aNew York :$bBloomsbury USA,$c2014. |
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Phys Descrpt |
300
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$axviii, 210 pages :$billustrations ;$c24 cm. |
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Tag 336 |
336
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$atext$btxt$2rdacontent |
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Tag 336 |
336
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$astill image$bsti$2rdacontent |
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Tag 337 |
337
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$aunmediated$bn$2rdamedia |
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Tag 338 |
338
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$avolume$bnc$2rdacarrier |
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Series:Diff |
490
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1 |
$aDress, body, culture,$x1360-466X |
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Abstract |
520
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$a"Why is fashion "in fashion" in museums today? This timely volume brings together expert scholars and curators to examine the reasons behind fashion's popularity in the twenty-first century museum and the impact this has had on wider museum practice.Chapters explore the role of fashion in the museum across a range of international case studies including the Costume Institute at the Metropolitan Museum of Art in New York, The Fashion Museum at Bath, ModeMuseum in Antwerp and many more. Contributions look at topics such as how fashion has made museums accessible to diverse audiences and how curators present broader themes and issues such as gender, class and technology innovatively through exhibiting fashion. Drawing on approaches from dress history, fashion studies, museum studies and curatorship, this engaging book will be key reading for students and scholars across a range of disciplines"--$cProvided by publisher. |
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Note:Bibliog |
504
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$aIncludes bibliographical references and index. |
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Note:Content |
505
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00 |
$tIntroduction: understanding fashion and dress museology /$rMarie Riegels Melchior, Designmuseum Danmark, Denmark --$gSection 1.$tThe power of fashion: when museums enter new territory :$tThe Costume Institute at the Metropolitan Museum of Art: an evolving history /$rHarold Koda and Jesscica Glasscock, The Costume Institute, The Metropolitan Museum of Art, New York --$tUnderstanding fashion through the museum /$rJosé Teunissen, Arnhem Design School, The Netherlands --$tContemporary fashion history in museums /$rMarco Pecorari, Centre for Fashion Studies, University of Stockholm, Sweden --$tAppraised, displayed and concealed: fashion photography on the Swedish museum stage /$rAnna Dahlgren, Department of Art History, University of Stockholm, Sweden --$gSection 2.$tFashion controversies : When bodies become public :$tGender considerations in fashion history exhibitions /$rJulia Petrov, School of Creative and Critical Studies, Alberta College of Art and Design, Canada --$tClass and gender in a museum collection: female skiwear /$rMarianne Larsson, Nordiska Museet, Sweden --$tExhibiting the body, dress and time in museums: a historical perspective /$rAnne-Sophie Hjemdahl, University of Oslo, Norway --$gSection 3.$tIn practice :$tFrom museum of costume to fashion museum: the case of the Fashion Museum in Bath /$rRosemary Harden, Fashion Museum, Bath, United Kingdom --$tCollecting practice: Designmuseum Danmark /$rKirsten Toftegaard, Designmuseum Danmark, Denmark --$tEngaging the public in issues of dress and identity: a case study of Amagermuseet in Denmark /$rIngeborg Phillipsen, Museum Amager, Denmark --$tLearning through fashion: The Norwegian Museum of Science, and Technology /$rTone Rasch and Ingebjørg Eidhammer, The Norwegian Museum of Science and Technology, Norway --$tAutobiography as a proposed approach to a fashion exhibition /$rJeffrey Horsley, Independent curator and exhibition maker, United Kingdom --$tIn conclusion: museums dressed in fashion /$rBirgitta Svensson, Nordiska Museet, Sweden. |
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Subj:Topical |
650
|
0 |
$aCostume museums. |
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Subj:Topical |
650
|
0 |
$aMuseum exhibits$xSocial aspects. |
|
Subj:Topical |
650
|
7 |
$aDESIGN / Fashion.$2bisacsh |
|
Subj:Topical |
650
|
7 |
$aART / Museum Studies.$2bisacsh |
|
Subj:Topical |
650
|
7 |
$aDESIGN / Textile & Costume.$2bisacsh |
|
Subj:Topical |
650
|
7 |
$aCostume museums.$0(OCoLC)fst00880824.$2fast |
|
Subj:Topical |
650
|
7 |
$aMuseum exhibits$xSocial aspects.$0(OCoLC)fst01030090.$2fast |
|
AE:Pers Name |
700
|
1 |
$aMelchior, Marie Riegels,$d1974-$eeditor of compilation. |
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AE:Pers Name |
700
|
1 |
$aSvensson, Birgitta,$d1948-$eeditor of compilation. |
|
SE:Ufm Title |
830
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0 |
$aDress, body, culture. |
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Tag 938 |
938
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$aBrodart$bBROD$n107177250 |
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Tag 938 |
938
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$aBaker and Taylor$bBTCP$nBK0013803501 |
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Tag 938 |
938
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$aCoutts Information Services$bCOUT$n25523355 |
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Tag 938 |
938
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$aYBP Library Services$bYANK$n10729862 |
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Tag 938 |
938
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$aYBP Library Services UK$bYBPK$n10729862 |
|
Tag 949 |
949
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$aCMAL$cNK4701.8$d.F37 2014$gc009565 |
|
Tag 994 |
994
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$aC0$bC7G |
