Additional Author:
Preciado, Kathleen.
Publisher:Washington : National Gallery of Art ; Hanover : Distributed by the University Press of New England, c1989.
Description:180 p. : ill. ; 28 cm.
Note:"Proceedings of the symposium 'Retaining the original: multiple originals, copies, and reproductions,' jointly sponsored by the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, and The Johns Hopkins University, Baltimore, 8-9 March 1985"--T.p. verso.
Note:Preface / Henry A. Millon -- Retaining the original? : the state of the question / Rosalind E. Krauss -- Defining the issue : the Greek period / Brunilde S. Ridgway -- Copying in Roman sculpture : the replica series / Miranda Marvin -- Ruminations on edible icons : originals and copies in the art of Byzantium / Gary Vikan -- Facsimiles, copies, and variations : the relationship to the model in medieval and Renaissance European illuminated manuscripts / Jonathan J.G. Alexander -- Paradigmatic social function in Anglican church architecture of the fifteen colonies / Alan Gowans -- Notes on Renaissance and Baroque originals and originality / Richard E. Spear -- The print in thrall to its original : a historiographic perspective / Caroline Karpinski.
Note:Replication and the art of Veronese / Beverly Louise Brown -- "The most exact representation of the original" : remarks on portraits of George Washington by Gilbert Stuart and Rembrandt Peale / Egon Verheyen -- Measures of authenticity : the detection of copies in the early literature on connoisseurship / Jeffrey M. Muller -- You irreplaceable you / Rosalind E. Krauss -- Phototropism (figuring the proper) / Richard Shiff.
